From Gond Art to Jangarh Kalam: The Legacy of Jangarh Singh Shyam lives on!

The Art of Gond: A Journey into the Color and Creativity of India. With its natural bounty of flora and fauna, India’s reputation as a nature lover’s paradise precedes it. However, far less known than the diversity of birds and animals found in the country is India’s rich cultural history, which adds an element of diverse beauty to its landscape through artistic mediums such as paintings, pottery, and sculptures, among others. One such medium is Gond art, or the art of the Gond tribe that lives in Central India around Jabalpur and Mandla. This is the history and relevance of this art form. What is Gond art? The art of Gond has its origin in the eastern Indian state of Chhattisgarh. Gond art, which literally means graphic art or signboard art, involves the creation of paintings on raw pieces of wood from local trees. The name Gond comes from the tribe who are known to inhabit this region since long ago and who have perfected this unique form of painting over centuries and made it their own trademark style. Gond Art History The Gond tribe has been creating this form of art for at least 1500 years because there are underground drawings throughout the area that stretch back to the Neolithic period era, so it would be possible that they're simply continuing a tradition that began much earlier. Indigenous Indians, notably those of the Gond tribe, do have a long history of enjoying paintings and other kinds of artistic expression. But among the Gonds, the Pardhan Gonds have been the best known for their creative prowess. The Gondoliers believed that seeing a lucky picture would bring them good fortune. This idea prompted the Gond to adorn their homes with markings and patterns from their culture all over the walls and the floor to form beautiful Gond painting designs and a tradition was formed. The Gondoliers also utilized art as a means of documenting their past. Gond Art Characteristics Shapes Style choices ensure that the edges used to construct the subjects—whether at the edges or deep within—immediately draw the eye. The lines and dots provide an incomparable shine which is distinctive to Gond art. The descriptive quality of such art is enhanced by the use of numerous geometrical forms and repetitions, such as those imitating fish scales, droplets of water, and flower shapes. Colors Vivid colors, notably red, turquoise, yellow, as well as white, abound throughout the large Gond painting and also provide wonderful contrast for the viewer. Colorful paints like these are often made by extracting the pigment from natural materials such dirt, carbon, leaves of plants and fluid, or even cow manure. Chui Mitti, a kind of gravel found locally, is used to make yellow, whereas Gheru Mitti is used to make brown. As for the other colors, black comes from charcoal, red from Hibiscus flowers, and green from leaf tissue. Conclusion Though Gond art has been around for centuries, it has seen resurgence in popularity in recent years. This is likely due to the vibrant colors and intricate patterns that are characteristic of the style. Additionally, traditional Gond art often tells a story or conveys a message, making it all the more meaningful. Don’t miss out on these fantastic Gond Art Forms to collect as RtistiQ brings to you the Phygital NFT Folk Art auction that will be held between the 15-18th September 2022.

RtistiQ

17 Aug 2022

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The living room is the heart of your home, a space where you relax, entertain guests, and showcase your personal style. Selecting suitable artwork for your living room can add a touch of elegance, maintain harmony, brighten up your space, create a wow factor, and reflect your unique taste. This article will explore various aspects to consider when choosing art for your living room. From size and style to colour scheme and personal preferences, these guidelines will help you curate a captivating collection that enhances the overall aesthetic of your living space. Size and Placement The size and placement of artwork in your living room are crucial considerations. The goal is to find pieces that create a visual impact without overpowering the space. Consider the following factors: Focal Point: Choose one or two more significant artworks to serve as the room's focal point. The artwork could be a striking painting, a statement sculpture, or an oversized photograph. Place them on a prominent wall where they can grab attention and set the tone for the entire space. Proportions: Consider the scale of your living room furniture and the dimensions of the walls. Ensure that the artwork is proportionate to the room's wall space and other elements. For example, a large sectional sofa may require a substantial piece of art to balance the visual weight. Groupings and Gallery Walls: Consider creating a gallery wall or arranging multiple artworks in a group. This approach can add visual interest and create a dynamic display. Mix different sizes and styles, and experiment with layouts before finalizing the arrangement. Eye-Level Placement: Hang artwork at eye level for optimal viewing. The centre of the painting should be approximately 57-60 inches from the floor. Adjustments may be needed based on the average height of your household. Style and Theme The style and theme of your living room play a significant role in determining the type of artwork that will best complement the space. Consider the following: Existing Décor: Evaluate the overall style of your living room, whether it's modern, traditional, minimalist, or eclectic. Look for artworks that harmonize with the existing décor elements, such as furniture, flooring, and architectural details. For example, a contemporary living room may benefit from abstract or geometric artworks. At the same time, a traditional space may call for classical paintings or landscapes. Matching minimalism of the house, infusing abstract art - Abstract no. 4622 black and white minimalism Personal Preference: Your living room reflects your taste and personality. Choose artworks that resonate with your personality, whether from a particular artist, a specific art movement, or a style that you find visually appealing. Select pieces that genuinely speak to you. Room Function: Consider how you use your living room. If it's primarily a space for relaxation and quiet contemplation, choose artworks that create a serene atmosphere, such as soothing landscapes or abstract pieces. If it's a place for social gatherings and lively conversations, opt for bold, vibrant artworks that energize the space. Artistic Variety: Mix different styles and mediums to add depth and visual interest. Experiment with a combination of paintings, prints, photographs, sculptures, or even mixed-media artworks. The variety will enhance the room's richness and showcase your eclectic taste. Colour Scheme The colour scheme of your living room and the artwork you choose should harmonize to create a cohesive and visually pleasing space. Consider the following tips: Complement or Contrast: Choose artworks that either complement or provide a striking contrast to the room's colour palette. Chosing artworks with complementary colours, create a harmonious look to the space. For example, consider artworks with cool blue or green accents if your living room features warm earthy tones. Alternatively, contrasting colours, such as bold reds against neutral tones, can create a vibrant and attention-grabbing effect. Artwork for Trending beige wall - Golden Haze Balance and Harmony: Consider the overall balance of colours in your living room. If the space is rich in colour, opt for artwork with a more muted or monochromatic palette to avoid overwhelming the room. Conversely, bold and colourful paintings can become captivating focal points if your living room is primarily neutral. Highlight Accent Colors: If your living room features specific accent colours, incorporate artwork highlighting those hues. By selecting an artwork in such a way, you can create a cohesive and intentional design. For example, if you have to throw pillows or rugs with yellow pops, consider artworks featuring the same or complementary shades to tie the room together. Personal Touch The artwork in your living room should reflect your personal preferences and experiences. Here are a few suggestions to add a personal touch: Emotional Connection: Choose artworks that evoke emotions or memories. It could be a painting that reminds you of a particular place or a photograph that captures a special moment. Your connection with the artwork will make it more meaningful and enhance your enjoyment of the space. Tidal Melodies by Vicky Yeow Hobbies and Interests: Incorporate artworks that align with your hobbies or interests. If you're passionate about music, consider art pieces inspired by musical instruments or musicians. Landscapes or botanical prints could be a great fit if you love nature. Let your passions shine through the art you choose. La femme au chapeau by Souhayl A Custom Artworks: Commissioning custom artwork gives you a unique and personalized piece for your living room. Collaborate with local artists or artisans to create something tailor-made for your space. This way, you can have a one-of-a-kind artwork that perfectly complements your living room's style and reflects your individuality. Conclusion Selecting artwork for your living room is an opportunity to infuse your personality into your home's central gathering space. By considering factors such as size, placement, style, colour scheme, and personal preferences, you can curate a collection of art that enhances the ambience, serves as a focal point, and sparks conversations. Let your living room art reflect your unique taste and create a space like yours. Enjoy the process of selecting artworks that speak to you, and watch as they transform your living room into a beautiful and visually appealing haven. At RtistiQ we offer a wide variety of selection of works to elevate your living room. Be it large sized paintings, sculptures or photograph we are here to support you in selecting the right artwork that defines your personally. Discover works from our curated collections by our curatorial team. If you would like to get an exclusive session with our curators to support your art selection, click the link CONTACT AN ART ADVISOR and provide us with any specific details you can give us.

RTISTIQ TEAM

05 Jul 2023

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In the urban landscape, vibrant forms of artistic expression emerge, challenging conventional notions of art and engaging with communities in unconventional ways. Two distinctive art forms that have garnered attention for their rawness and unfiltered creativity are graffiti art and Art Brut. Some of the most notorious names of contemporary art come from the world of graffiti. And while formal training and historic institutions still hold a massive presence in the art world, we are seeing more and more outsiders storm the gates and break through to become major names. That’s why we put together this guide to understand the types of graffiti art and art brut better. With this new knowledge, you’ll be able to better appreciate this diverse and dynamic realm of creative expression. What is Graffiti Art? Graffiti is a kind of art brut. It is any drawing or writing made on a surface, typically in public view. Graffiti itself is about as old as humanity. But beginning in the 1980s, graffiti began to be shown in fine art institutions, like galleries and museums. With the inclusion of many major graffiti artists into the formal art world, the lines have become more and more blurred. Graffiti art now refers to a thriving genre of art that uses the styles and techniques of street graffiti, but with finished products that are meant for more traditional art spaces. Some of the most well known artists of the last fifty years are graffiti artists, including the late Jean-Michel Basquiat. What’s the difference between graffiti and street art? The terms "graffiti" and "street art" are often used interchangeably, but they do have distinct characteristics that set them apart: Graffiti artists, like the famous Banksy, create and present their art in public spaces. Frequently, their art is not sanctioned by the owners of the property that the art is painted on. For this reason, graffiti art typically are revolutionary or otherwise transgressive themes. While graffiti can be seen as a subset of street art, the key difference lies in the legality and intent behind the creations. Graffiti is often associated with unauthorized markings and can be viewed as an act of rebellion or vandalism, whereas street art is generally more accepted and embraced by communities as a form of public art. However, it's worth noting that the line between graffiti and street art can be blurred, and there are artists who bridge both realms, incorporating elements of graffiti within their street art pieces. Ultimately, both graffiti and street art play vital roles in shaping the visual landscape of cities, sparking conversations, and challenging societal norms through artistic expression in public spaces. If you are still confused, see this helpful guide: Graffiti art is often associated with illicit, unauthorized markings made on public spaces using various tools like spray paint, markers, or etching tools. Historically, graffiti has been associated with acts of vandalism and considered a form of public defacement. Street art, on the other hand, encompasses a broader range of artistic expressions in public spaces. Street artists often create their works with the permission of property owners or as part of organized initiatives to beautify urban environments. Street art is typically more intricate, visually elaborate, and conceptually driven compared to traditional graffiti. How Graffiti Art Started Graffiti art began as street art, and people often use the words graffiti and street art interchangeably. But a few New York City gallerists in the 1980s saw graffiti as a blooming world of creative expression. And soon, they were exhibiting the work of graffiti artists. A particular hotbed was the East Village in Manhattan. Fun Gallery and Now Gallery helped lead the way in presenting graffiti art in a new light. By placing the work by these outsider artists in the context of a gallery, audiences began to appreciate the art on a deeper level. Artists like Keith Haring, Crash, Lady Pink, and Jean-Michel Basquiat became major names in the art world. They inspired new generations of graffiti artists to pursue the style — as street art, gallery exhibits, or both. Today, major corporations have hired graffiti artists to promote products . Major auction houses sell graffiti art. And you can buy graffiti art at countless galleries around the world. Famous Graffiti Paintings Curious to see some great graffiti art? We’ve put together a few of the most impressive and noteworthy examples. Untitled Skull (1982) by Jean-Michel Basquiat Copyright Jean-Michel Basquiat This painting is legendary not only as part of Basquiat’s skull series, but also because of the major headlines it made in 2017. It was that year that Sotheby’s New York sold it for a staggering $110.5 million dollars, blowing past its $57 million estimate. Ignorance = Fear (1989) by Keith Haring Copyright Keith Haring Foundation This work epitomized Haring’s use of art as a tool to raise political consciousness. As a gay activist, the AIDS epidemic was central to much of Haring’s work in the 1980s. This painting united his powerful pop and graffiti hybrid style to deliver an important message. The Breakdown Comes (1983) by Lady Pink Copyright Lady Pink This masterpiece of graffiti art by Lady Pink reveals the deep anxieties of the middle class in 1980s New York City as an empowering fantasy of the downtrodden in the same time and place. The vitality and playfulness of the artwork helps the complex themes go down enjoyably. Graffiti art is such an exciting realm of the art world. Now a few generations into its acceptance into the establishment, it still continues to push boundaries and grab our attention. Now that you know a little more about it, you can shop graffiti art from this fascinating genre that RtistiQ has put together for you to explore. What is Art Brut? Art brut is a term coined by French artist Jean Dubuffet in the 1940s, literally meaning raw art. Dubuffet used the term to describe the realm of artwork made outside of the formal and academic art world. Sometimes called outsider art, artbrut contains a broad spectrum of work. The term is often used with a bias toward Western art circles. For instance, artists in hunter gatherer tribes might be highly trained and create pieces inside a well codified tradition, but their work might still be considered art brut to some critics—so a reader has to consider who is using the term and how. Art Brut artists typically have no formal artistic training and often face societal marginalization or live with mental health challenges. Their works are characterized by their authenticity, unconventionality, and a lack of adherence to traditional artistic norms. Art Brut encompasses a wide range of styles and techniques. Artists often work with unconventional materials and mediums, using found objects, discarded materials, or natural elements. Their creations are deeply personal and reflect their individual experiences, inner worlds, and unique perspectives. Art Brut has provided a platform for artists who have been marginalized or overlooked by the art establishment. Figures such as Adolf Wölfli, Henry Darger, and Martín Ramírez have gained recognition posthumously for their extraordinary bodies of work. Art Brut challenges the boundaries of what is considered "art" and questions the prevailing criteria for artistic validation. Famous Art Brut Paintings Many Art Brut artists remain relatively unknown, with their works often discovered posthumously. However, there are a few notable Art Brut paintings that have gained recognition and influenced the art world. Here are a few examples: Adolf Wölfli's crazy controversial Art: Adolf Wölfli, a Swiss artist and psychiatric patient, produced an extensive body of work during his confinement. His intricate and highly detailed drawings depict fantastical landscapes, intricate patterns, and narratives from his own imaginary world. Prisoner Drawings is a series of densely packed compositions that reveal Wölfli's creative vision and psychological complexity. "Götter [gods]" by August Walla: August Walla, an Austrian artist with schizophrenia, created a range of powerful and expressive artworks. "Mystery Train" by Martín Ramírez: Martín Ramírez, a Mexican-American artist, created intricate drawings while institutionalized in psychiatric hospitals. His works often feature repetitive lines and motifs, including trains, figures, and animals. Conclusion: Graffiti art and Art Brut are two distinct forms of artistic expression that have captivated audiences with their rawness, authenticity, and unconventional approaches. Graffiti art, born from underground subcultures, challenges social norms and transforms the urban landscape into a vibrant visual tapestry. Art Brut, created by self-taught artists, provides a platform for marginalized voices and challenges established artistic conventions. Together, these art forms exemplify the power of artistic expression to transcend boundaries, spark dialogue, and redefine the notion of what art can be in our complex and diverse world. Check out the Graffiti and Art Brut Collection on RtistiQ to explore some of magnificent works in recent times.

RtistiQ

29 Jul 2021

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A pioneering artist, Jangarh Singh Shyam redefined the Pardhan-Gond school of art. His signature style which was later named after him saw the evolution of Gond art from a ritualistic pictorial art made on the walls and floors to a more sophisticated menagerie of dots and dashes. This re-interpretation of the Gond art came to be famously known as Jangarh Kalam. Belonging to the Pardhan Gond community from the central Indian state of Madhya Pradesh, the artist was considered a cultural prodigy in his native village Patnagarh being an excellent flutist and painter. In 1981, the artist was invited by the legendary J. Swaminathan to work as an artist at Bharat Bhavan in Bhopal. It was at Bharat Bhavan, one of the country's most prestigious museums of tribal and contemporary Indian art, Jangarh Singh Shyam grew as an artist as his creative practice underwent sweeping changes. Mentored by Swaminathan, Shyam’s inheritance in traditional music and storytelling blossomed into a distinctive style of image-making, imparting his paintings a rare life force and energy. As his popularity grew, Shyam found himself amidst the changing contemporary Indian art scene that was becoming more global in its outlook and more inclusive in its representation. It was for the first time we saw that the historically marginalized gained momentum and ground in the narrative space of the country. The artist gained major recognition when he participated in the Magiciens de la terre exhibition held at Centre Pompidou, Paris in 1989, and in Jyotindra Jain’s Other Masters exhibition at the Crafts Museum, New Delhi in 1998. The artist was also commissioned to paint the interiors of Vidhan Bhavan, the Legislative Assembly of Madhya Pradesh, and the dome of Bharat Bhavan. Posthumously, his painting Landscape with Spider (1988) was sold for a record price of $31,250 at Sotheby's New York auction in 2010, marking a first for an adivasi (vernacular) artist. Gleaning from the vast repertoire of tales, ballads, folklore, and fantasies of the Pardhan-Gond community, Shyam fabricated them into his visual narrative, thus bringing the ancient myths and stories to life. As he sought inspiration from the past and the present, the rural and the urban, the real and the imagined, a new visual vocabulary emerged that gave concrete shapes and forms to his community’s myths, legends, fables, tattoos, and music, which were, till then, hidden from the ‘mainstream’ society. It marked a paradigmatic shift in contemporary Indian art when the artist started using canvases, acrylic, oil and pen instead of the traditional charcoal, coloured soil, plant sap, leaves, cow dung, limestone powder, etc. This effective adaptation of the new media, tools and newer themes resulted in unforeseen results and inspired a generation of Gond artists to learn from Jangarh Singh Shyam. Jangarh Kalam, or Jangarh Singh Shyam’s personal rendition of the Pardhan Gond art instilled a creative energy that surged with the emergence of individuality and personal style in a traditionally collective society where artmaking was a group endeavour. In Jangarh Kalam, the images are transcribed from oral narratives that take shape as birds, flying snakes, or growing trees, floating to the rhythm of the music in diverse innovative variations. From enchanted woodlands to aero planes, indigenous deities, childhood stories, and animals, Shyam used colourful dots and peripheral contours of radiating lines to create these unique shapes and patterns reverberating with movement, fluidity, and power. In a tragic turn of events, the visionary artist took his own life at the age of 39 while he was on an international art residency at the Mithila Museum, Japan. While the artist died young, he inspired a legion of young men and women from his community who followed him and were mentored by him in the style he created incidentally. Today, many well-known Gond artists including Shyam’s wife and children and those who apprenticed under him continue to work in the Jangarh Kalam tradition keeping it alive and vibrant. Jangarh Singh Shyam, Paysage avec Araignée (Landscape with Spider), 1988 Image courtesy: Sotheby’s Jangarh Singh Shyam, The Seprpent Shesha Holding The Earth on his Hood, ca. late 1980s Collection and image courtesy: Museum of Art & Photography (MAP), Bangalore Jangarh Singh Shyam, Ped, Chidiya Aur Hawaijahaz (Trees, Birds, and an Airplane), 1996 Collection and image courtesy: Museum of Art & Photography (MAP), Bangalore Jangarh Singh Shyam, Phulwari Devi, early 1990s Collection and image courtesy: Museum of Art & Photography (MAP), Bangalore Jangarh Singh Shyam, Untitled, 1989 Collection: FONDATION CARTIER PARIS

RtistiQ

10 Jun 2022

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In the one-century life span of abstract art, female abstract painters are not hard to find, to name just a few: Sonia Delaunay (a multidisciplinary artist who achieved success during her lifetime only due to her commercial work, whereas her husband Robert Delaunay was regarded as a serious artist), Lee Krasner (whose contribution to art history has been for a long time overshadowed by her marriage to the abstract expressionist painter Jackson Pollock), Elaine de Kooning (an accomplished artist, member of the Eighth Street Club in New York City she was mostly known as Mrs. William de Kooning, she dedicated most of her life to supporting her husband’s career), Barbara Hepworth (less recognized than her contemporary and fellow British artist Henry Moore), Françoise Gilot (the French-American artist who never managed to escape the “Picasso’s lover” title) and the list can go on. These talented artists have been less visible, not to say “invisible”, to an art establishment blinded by gender bias. Despite a recent shift in mentality and contemporary culture, female artists are still seen as “less” than their male counterparts. Female abstract painters and women artists, in general, deserve more awareness. Christel Haag is a commercially successful German abstract artist. Her work is very process-orientated. She plays with various contrasting effects on canvas by using an entire arsenal of mark-making in her process. The evolution of her paintings does not follow a predetermined concept. Rather, her works gradually evolve through an intuitive and dynamic process. Despite the gestural process, a coherent painting emerges. Haag finds her inspiration in nature. She translates into marvellous color combinations the beauty and harmony that surrender her. Lot 34 Are we Flying In her own words: "In 2002 I made the decision to give up my career in Public Relations at a university, follow my heart and retrain as an artist. Once I made the decision to open the door to my creative urges, I felt that I had to go back to the beginning to discover who I really am as an artist. It was as if I granted myself the right to be free again, free without boundaries or pre-existing ideas of who I should be as an artist. Over the years my experiences led to my colorful, abstract, dynamic, and gestural style of painting. I always try to go to my creative limits while experimenting and giving my artworks my individual expression. Nature inspires me. The marvellous impressions I take home from my travels. Also, I express in my paintings the mood and feeling of a particular moment in time. It is first and foremost the joy of painting, of colors, of the creative process itself, and of the energy of being that drives my artistic creation." 5 vivid paintings from Haag’s portfolio have been minted as unique NFT digital editions and are sold at auction in our coming event SHE IS UNSTOPPABLE. Browse her art and choose your favourite. Don’t forget to register for the auction. Bidding starts May 14th.

RtistiQ

01 May 2022

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Below, we’ve assembled a list of the top 10 most influential female artists alive today. These women have left an incredible mark on the art world, and while their importance to the current scene is important, their impact will no doubt be felt for generations to come. Cindy Sherman Courtesy of Cindy Sherman Cindy Sherman made a name for herself through intricate self-portrait photography. Taking advantage of her skills as a costume maker and make-up artist, Sherman’s early work began exploring identity by using the artist’s body as the canvas. Her work frequently explores the place of women in the media and cultural landscape. Untitled Film Stills (1977-80) saw Sherman dressing as B-movie characters. In Centerfolds (1981), she upended the expectations of the male gaze, presenting complicated female characters where one might expect titillating, sexualized images. Her latest work speaks directly to the tools we use to communicate with each other. She now takes self-portraits using her phone, manipulating the images using multiple “face tuning” apps. The results are provocative and often disturbing. Tracey Emin Courtesy of Tracey Ermin Tracey Emin is no stranger to controversy. Her work is striking and confrontational, as well as deeply autobiographical. Her work reaches across an enormous array of mediums, from drawing, painting, and sculpture to neon text, film, photography, and sewn appliqué. Some of her installations made major waves in the art world. She premiered Everyone I Have Ever Slept With 1963–1995 (1997) at the Royal Academy of London. The work is a tent that visitors can enter into, and on the walls are appliquéd the names of, you guessed it, everyone the artist had slept with. It serves as a kind of haunted space, especially in the greater context of Ermin’s work that challenges the role that sex plays in the perception of women. She has gone on to be a professor at the Royal Academy of Arts and a prolific, widely influential artist of our time. Yayoi Kusama Courtesy of Wikimedia Yayoi Kusama is an artist working in sculpture and installation, as well as many other mediums. She became a fixture of the 1960’s counterculture, organizing happenings where participants were nude and covered in painted polka dots. Beginning in 1963, Kusama began creating her Infinity Rooms, a series of installations in which the walls of the rooms were covered in mirrors with colorful balls of light hanging at different lengths from the ceiling. The effect is the perception that the room of lights goes on forever. Her public installation work continues to appear across the world, including Brazil, Japan, Singapore, and beyond. Marina Abramović Courtesy of Wikimedia Marina Abramović is likely the most important and influential performance artist of our time. Her newsworthy works have captured the attention of the artworld for decades, and she isn’t done yet. The Artist is Present (2010) saw Abramović sitting at a table at New York City’s Museum of Modern Art. Visitors were invited to sit across the table from Abramović. This went on to become the largest performance art exhibit in MoMA’s history. On top of her amazing career as an artist, she is also a philanthropist and a supporter of young artists through her Marina Abramović Institute. Judy Chicago Courtesy of the Brooklyn Museum Judy Chicago is a major name in the worlds of both art and feminism, with her career striking a path that unites them. Many of her unique techniques are borrowed from boat building, auto body repair, and similar disciplines — what the artist calls the “macho arts.” The Dinner Party (1979) is likely Chicago’s most important work to date. It shows a dinner table set in a triangle, with 39 places set for female heroes, both real and mythical. The dinner plates are all hand-painted homages to the woman who is seated there. The sprawling ambition and bold statement continue to fascinate and inspire people today. Shirin Neshat Courtesy of Wikimedia Shirin Neshat is an Iranian-born New York artist primarily working in photography, film, and video. Her work often focuses on the dichotomies, both socially constructed and eternal, that make up our world: Isamic and Western culture, male and female, public and private. Her film Women Without Men (2009) received the Silver Lion award at the Venice Film Festival. The film, based on the novel by Shahrnush Parsipur, depicts events during the British and American backed coup in Iran that overthrew their democratic government and installed the Shah as monarch in 1953. Vija Celmins Courtesy of SFMoMA Vija Celmins works in paintings and drawings, creating photorealistic pieces. She is celebrated today as one of the leaders in realism, though she pushes her work into almost abstract places by focusing on visual rhythm and the exclusive use of gray tones. Her early breakthrough saw her making exquisite replications of photojournalism, making masterful use of grayscale in her painting. These works highlighted how much of our world view at the time was dictated by black-and-white photographs and disseminated through the media. She has gone on to focus on sweeping visions of natural spaces and events. Much of her current work shows us starry skies, ocean waves, and other large and small scale views of the natural world. Bharti Kher Courtesy of Wikimedia Bharti Kher is an artist working sculpture, installation, and painting. Her work often speaks to realities of inhabiting a body as well as issues around culture. Perhaps her most popular work is The Skin Speaks a Language Not Its Own (2006). The piece depicts a full-size female elephant collapsed on the ground, covered in the traditional bindi — a mark made on the forehead among followers of Hinduism representing the third eye. By bringing together these two images of India, Kher creates a vivid embodiment of the country. Marlene Dumas Courtesy of Wikimedia Marlene Dumas is an artist working in the Netherlands who is known as one of the first three living women to sell an artwork above the $1 million mark. The notoriety is well deserved. Her work is always in ceaseless exploration of human moods and social conditions. Her paintings often eschew direct representation and instead make suggestions of emotional states. Her work often distorts faces and specifics, driving down into the heart of her subject. She continues to be a major name in the art world today. Dumas’s prolific career continues to challenge viewers and evoke what it means to be alive. Julie Mehretu Courtesy of Forbes Julie Mehretu works in painting, drawing, and printmaking, often focusing on the socio-economic realities of our time. Her meticulous work is precise but ultimately deeply felt, mapping out the psychology of people in the urban environment. Her pieces often take on an enormous scale, often two stories tall. Mehretu describes her mark-making process as one that charts the movements and interactions of people in their own societal context. While her compositions can be overwhelming and grand, when viewers take the time to look at it in detail, they often find surprising narratives emerge.

RtistiQ

19 Apr 2022

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