Nature has long been a muse for great artists RtistiQ Blog | 5 Famous Nature-Inspired Art Pieces || "Blog" Let’s look at some of the best artists to ever try and capture the beauty and majesty of the natural world. That’s why we decided to put together a list of 10 famous nature artists who celebrate nature in their paintings. Some of the names on the list you’ve heard of, but there are probably a few that will be new to you. Plus, we made sure to put in a little something for everyone. 1.Vincent van Gogh There is maybe no painter more famous than Vincent van Gogh. And while he pioneered on many fronts, his landscapes are some of his most transcendent works. Through his experimental brush strokes, he made the land appear as it really is — alive. In his life, van Gogh created an enormous wealth of paintings. There were years when he completed almost one a day. The sheer volume of landscape masterpieces in his oeuvre sets him apart. 2. Claude Monet Above all, Claude Monet was fascinated by light. And his daring Impressionist style captured the light obsessively over his career. His landscapes do this particularly well. He would sometimes set out multiple canvases and paint a scene through different times of day, showing the interaction between the sun and the land. Consider his Haystacks series, where the artist captured the same scene 25 times. These haystacks were painted at every time of day, in every season, and under all kinds of weather. 3. Hokusai Hokusai’s prints are among the most treasured artworks in the world. He produced a great deal in his life, beginning with urban images that were popular at the time. These ukiyo-e woodblock prints often portrayed celebrities and scenes from so-called pleasure districts. But then, the artist began incorporating more and more of the natural world. Today, his greatest pieces (like the famous The Great Wave off Kanagawa from the series Thirty-six Views of Mount Fuji) remain some of the most reverent works of art dedicated to the environment. 4. Georgia O’Keeffe Copyright Georgia O’Keeffe Georgia O’Keeffe merged a modern aesthetic with the desire to capture the essence of nature. The results are among the greatest works of the 20th century. Her technique highlighted the way that mountains and flowers mimic the human body. She also made bold use of color. While she took cues from nature, her palette explores many new surprising hues. The overall effect is timeless. Combined with her tender handling of the subject matter, O’Keeffe solidified herself as a master of painting. 5. Ansel Adams Copyright Ansel Adams Armed with only a camera and a tripod, Ansel Adams made photography history by taking shots of America’s great national parks. His famous love affair with Yosemite is now the stuff of legend. Work like Monolith, the Face of Half-Dome helped photography find itself as an art, whereas before it was considered a strictly documentarian form. Adams could express the full scope of a natural scene, with all its grandeur and private, intimate details. And for this reason, he is known as the father of landscape photography. 6. Olafur Eliasson Olafur Eliasson is not just an artist who paint nature, he uses natural materials to create it, too. For instance, his New York City Waterfalls installations created human built waterfalls. These structures brought towering 100 foot features into the skyline. In other pieces, Eliasson directly advocates for the environment. In his Ice Watch series In other pieces,Eliasson directly advocates for the environment. In his Ice Watch series Art That Raises Awareness for Environmental Issues the artist installed massive blocks of ice in Copenhagen, Paris, and London. As time went on, the ice melted, bringingthe reality of our melting glaciers into the heart of global cities that are leading contributors to climate change. 7. Walter de Maria Courtesy artappreciation101.wordpress.com Walter de Maria helped solidify land art as a form that could be viable in the 20th and 21st centuries. Over his life, he created many haunting works. In The Lightning Field, de Maria set up an enormous grid of 400 steel poles. While these poles very rarely attracted lightning, they did transform the wide open New Mexico landscape into a haunting scene. De Maria frequently used the land as his canvas. And as he did so, he brought our attention to the land, which is to say our home. These works have only increased in poignancy as the environmental crisis deepens. 8. David Hockney Copyright David Hockney It might seem surprising to have a famous British pop artist on our list, but David Hockney’s plein air landscapes are some of the best works in his career. Many of these were created later in life, like Bigger Trees Near Warter which was completed in 2007. That painting also stands as Hockney’s largest at a whopping 460 cm x 1220 cm. The landscape is an interesting late in life turn for the artist, but one that shows the indelible influence it has on us, even as our culture is consumed by the digital. 9. Peter Doig Copyright Peter Doig Peter Doig is among the most celebrated living artists of our time. He is renowned for foregoing the overly conceptual approach of his contemporaries and instead emphasizing creativity and conveying a sense of awe in the natural world. Many of his works are landscapes that often play off of photography. And he has also put his hand to creating cityscapes that amplify the strangeness of built environments. 10. Shara Hughes Copyright Shara Hughes Shara Hughes paints many kinds of scenes, but perhaps her most bombastic pieces are her landscapes. These works are excessive, lively, and maximalist. Her mastery over multiple techniques allow her somewhat abstracted approach to retain a high level of complexity. One can’t help but feel a certain joy when looking at a nature painting by Hughes. Her ability to reconnect us with that feeling of nature’s bounty continues to impress us. Inspired by nature paintings by famous artists? Check out RtistiQ’s nature art paintings from globally renowned artists. Browse through a variety of artworks that has been handpicked for your office and home walls!

RtistiQ

26 Aug 2021

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Surrealism painting is an amazing genre. It stormed the art world in the early 20th century, upending our notions of what could be painted and what the source of an artwork could be. Using the bizarre imagery from dreams, surrealists set the stage for a new force in all the visual arts — from painting to film, from literature to even music. The style revolutionized how we create. As with any groundbreaking movement, women made up a large portion of the best and most popular surrealist artists. Unfortunately, most people with a casual understanding of the field only know about Salvador Dali. Let’s set things right and celebrate some amazing women surrealists from around the world. Kay Sage Tomorrow is Never (1955) by Kay Sage The American Kay Sage’s (1898 to 1963) work falls on the dark side of the surrealist realm. Her pieces are brooding, desolate, and strange in the way that nightmare landscapes are strange. In other words, her work is incredible. Her paintings frequently make use of architectural motifs, often in a state of decay. She often used landscapes to define a large space, with dreary cloud cover to create an atmosphere of dread. While she was relatively well known during her lifetime, she never quite reached the heights that her work deserves. There is some renewal of interest in her today, and we hope that it continues. Her contribution to the surrealist movement should never be forgotten. Leonora Carrington The Giantess (1947) by Leonora Carrington Leonora Carrington (1917 to 2011) was born in the UK, though her later life in Mexico has made her legacy split by the Atlantic Ocean. Carrington was a prolific painter whose career marched on across seven decades. Over that time, her output included painting, sculpture, and writing. Many of her paintings draw from mythology, with an eerie starkness that brings a certain tinge of terror to her canvases. The contemporary art market has moved Carrington paintings for huge sums of money, like the $1.5 million price that The Giantess (pictured above) garnered in 2009. While in Mexico, she not only thrived as an artist but also as a political activist, helping to found the women’s liberation movement there in the 70s. JeeYoung Lee Love Seek (2014) by JeeYoung Lee JeeYoung Lee (born 1983) is an artist from South Korea. Her work is a contemporary play on surrealist imagery. Her process usually involves creating elaborate sets in her studio. She then photographs these dreamscapes, usually using herself as the model. Lee’s work is captivating and freeing to witness. The bizarre merges with the candy colored to create a trademark style. It’s also refreshing to see what artists can do by combining surrealism with photography. By bringing in reality through the camera, the effect of the strangeness is all the more poignant. While still fairly young, Lee has already achieved a high level of notoriety and exhibited internationally. Her name will no doubt continue to rise in the art world, as she has so much more time to produce great surrealist art. Portia Zvavahera Arising From the Unknown (2019) by Portia Zvavahera Portia Zvavahera (born 1985) was born in Harare, Zimbabwe, where she lives today. Her work takes some influence from her homeland, and her imagery is often taken from her dreams — a cornerstone of surrealism. Zvavahera’s brushwork and printmaking are brought together on canvases that express deeply human challenges, all while reveling in otherworldly settings. Her use of bold colors and striking composition wring out a great level of emotion in her work. Her paintings are widely celebrated around the world. She appears in international shows, in both solo and group exhibitions, and she has emerged as one of the most important contemporary voices in the art world. Remedios Varo Useless Science or the Alchemist (1955) by Remedios Varo Remedios Varo (1908 to 1963) was born in Spain, though her career took her across the world. She participated in the first wave of surrealism, helping to lay the groundwork for all the generations to come. While her painting is forward thinking in some respects, she took a great deal of influence from Renaissance art. Many of her paintings are highly allegorical, balanced in composition, and painted with many techniques borrowed from Renaissance masters. This gives her work a high level of continuity with the history of European art, despite her surrealist content. By the time of her death in the early 60s, Varo’s influence had spread far and wide. Her 1971 retrospective in Mexico City drew larger crowds than a similar event for Diego Rivera. That level of popularity is well deserved, as she left behind a stunning legacy of artwork. Passionate about Surrealism? Discover our curated collection of Surrealism paintings. This collection is perfect for art lovers who are looking to decorate their homes/offices.

RtistiQ

08 Oct 2021

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Abstract art has roots across many cultures, and the contemporary art scene is now filled with many artists working in the abstract from every region on Earth. Hence, the understanding of abstract art can vary among individuals with different backgrounds. Below, we’ve assembled 10 of the most exciting abstract artists from Southeast Asia. These artists represent a wide variety of aesthetic approaches and span multiple generations. What is clear from these artists is that Southeast Asia continues to produce some of the most exciting voices in the world of abstract art. No survey of the field is complete without their work. Vietnam 1. Ha Manh Thang (b. 1980) Cry For A Flag #2 (2020) [SOURCE] Ha Manh Thang is a Vietnamese artist who is working at the forefront of his culture. As tidal shifts continue to occur since Doi Moi — a series of reforms set forth in 1986 that have brought Western corporations and values into the country — he discusses these ongoing changes on the canvas. His abstract works are as much studies in texture as in color, using the paint to build forms that cast shadows and reach out from the surface. While his figurative pieces are often satirical confrontations with society, these newest experimentations give his work a more universal tone. Ha Manh Thang received a degree from Hanoi Fine Arts University in 2004, going on to participate in several notable regional and international exhibitions. He currently lives in Hanoi. 2. Tulip Duong (b. 1966) My Window (2018) [SOURCE] Tulip Duong revels in the fast paced, the things in the world that are coming into being. Her abstract art borders on representation, though it never quite coheres into a full image. Instead, the pieces hang in that liminal space just before fully materializing. Working from her Hanoi studio, Tulip Duong has shown work around the world, touching on global issues while still maintaining Vietnamese characteristics in her compositions. This riveting connection is held together by her singular voice. The centrality of her viewpoint runs throughout her oeuvre, even as her paintings continue to explore new horizons. Since 2000, Tulip Duong’s work has appeared in several group and solo shows, as well as publications. 3. Tran Tuan (b. 1961) Spring (2012) [SOURCE] Vietnamese artist Tran Tuan’s career covers many different forms and approaches, but all of his work stands out as vivid, colorful and energetic studies. These paintings are alive with bold, heavy brushstrokes stitched together in unexpected ways. His abstract work takes a maximalist approach, every inch of his canvases are alive and urgent. He manages these brilliant palettes through an almost athletic vigor. The overwhelming images deliver the viewer over to a world entirely its own, one built out of dazzling color and intricate brushwork. Tran Tuan’s work appears in private collections throughout Europe, North America and Australia. He received his degree from Fine Art University of Hanoi in 1990. Indonesia 4. Christine Ay Tjoe (b. 1973) Large Space of Shoots #2 (2020) [SOURCE] Chrstine Ay Tjoe is an Indonesian artist who restlessly seeks out the depths of the human condition. Her work spans many mediums, including: intaglio prints, textiles, painting, drawing, sculpture and large-scale installations. Her abstract paintings carry on the mission of her entire career, evoking the power — and darkness — in subjective experience. These works are splashes of complex forms on white canvas, both cryptic and beautiful. While an initial glance might only find confusion, a closer look reveals intricate control and detail work. These are intricately crafted pieces, with forms that seem to arise spontaneously out of the amorphous composition. Christine Ay Tjoe works in Bandung, her hometown. Her work has appeared around the world. 5. Erizal As (b. 1979) Formless Existence (2019) [SOURCE] Erizal As creates rhythmic, almost musical abstract works. His muscular brushstrokes and use of heavy layers of paint create crowded canvases that deliver up an excessive bounty. In all that excess is patterning akin to syncopation, a tension between the expectation of the viewer and where the art ultimately takes them. His work deals in real subject matter, but it handles scenes and portraiture in an entirely abstract way. This approach delivers an experience very rare in abstract painting, again testing expectations. His work often takes on themes like authenticity, or the lack of it, often with a critical eye toward society and power. Erizal As received his education at the Indonesian Institute of Fine Art. His selected group and solo exhibitions have appeared across Southeast Asia. 6. Rinaldi Syam (b. 1976) Landscape Color (2019) [SOURCE] Rinaldi Syam is a painter and sculptor working out of Indonesia. His abstract paintings are filled with sumptuous forms in a kind of collage, quilted together in rough edged regions. The soft texture draws the eye in, and the complex composition keeps the viewer there to decode what they have found. His work sometimes moves from the abstract to the surreal, but always with hallucinatory grandeur and a deeply felt sense of beauty. While his canvas sometimes overflows with detail, there is a gentleness to his technique, always rendering forms with reverence. That care and tenderness seeps out when looking at his paintings, a calming force that quietsthe space. Rinaldi Syam lives and works in Yogyakarta. His work has won several awards in both Indonesia and Japan. Thailand: 7. Nim Kruasaeng (b. 1974) [SOURCE] Nim Kruasaeng’s paintings are simple, elegant observations. Their presence is unassuming and yet captivating. They gradually make their way through to the viewer, never demanding attention but always earning it — the way you lean in when someone whispers. The pieces often rely on rhythm and a palette of only two or three colors. Her ability to get the most out of these pared down elements reveals the mastery of the artist and her guiding obsessions: the relation between bodies in space, the pleasure of a perfect line, the ability to say more with suggestion than direct description. It is through thesegrounding ideas that her delicate and meditative work flows. Nim Kruaseng is a self-taught artist who found recognition in the 1990’s from peers in the Thai art scene. She currently lives and works in both Bangkok and Pattaya. 8. Udomsak Krisanamis (b. 1966) Your Disco Needs You (2001) [SOURCE] Udomsak Krisanamis has built a career out of conceptually rigorous paintings that continue to develop a single line of thought. Through the integration of mixed-media on his canvas — including cellophane, noodles, newspaper, among other items — he builds pieces that combine strict formalism with exploration at the borders of these self-imposedlimits. The diversity born out of this single project is sweeping, though always anchored by his trademark style. The longer one takes in his work, the more one gets into the headspace of its creator. It is a journey into an uncompromising artistic vision that continues to remake the world. Udomsak Krisanamis currently lives and works in Bangkok. He received his education at Chulalongkorn University, Bangkok and the Art Institute of Chicago. His solo and group exhibitions have shown internationally. Singapore: 9. Genevieve Chua (b. 1984) EdgeControl #21, More True Than False (2017) [SOURCE] Genevieve Chua makes abstract work that seeks to evoke natural forms while always inserting visual reference from technological artifacts like the glitch. She aggressively explores beyond the expected presentation of painting, pushing the uneasy mix of the natural and the digital even further. Her work often breaks out of the traditional canvas, exploring unique objects to introduce abstract painting. She incorporates shaped canvases that come together to produce a kind of deconstructed canvas for her to explore. She also integrates printing methods to ground her painting, like screen prints and giclée prints. Genevieve Chua received her education at the Royal College of Art in London. Her solo exhibitions have spanned Asia, with group exhibitions around the world. 10. Jamie Tan (b. 1990) IntoxicatedCalls (2018) [SOURCE] Jamie Tan takes color field into the next century with a unique take on the genre that is informed as much by the structure of computer displays as the career of Rothko. Rather than taking off into highly conceptual detours, his work keeps returning to color. The paintings use a sophisticated understanding of that single tool and continue to reimagine how to present it. The clean lines and interlaced patterns of color strips that define Jamie Tan’s work produce energy and movement through their interaction. But these pieces are not just practices in color theory. They also serve as a link in the discussion begun by color field painters from the century past with the current visual landscape of contemporary society. Jamie Tan earned a degree in Fine Arts from Lasalle College of the Arts in 2017. His first solo show debuted in 2019 Inspired by the artists? Shop abstract art on RtistiQ Art Marketplace. Enjoy 7 Day Delivery & 14 Day Return policy for all users today. Author: Jonathan M Clark

RtistiQ

13 Apr 2021

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A pioneering artist, Jangarh Singh Shyam redefined the Pardhan-Gond school of art. His signature style which was later named after him saw the evolution of Gond art from a ritualistic pictorial art made on the walls and floors to a more sophisticated menagerie of dots and dashes. This re-interpretation of the Gond art came to be famously known as Jangarh Kalam. Belonging to the Pardhan Gond community from the central Indian state of Madhya Pradesh, the artist was considered a cultural prodigy in his native village Patnagarh being an excellent flutist and painter. In 1981, the artist was invited by the legendary J. Swaminathan to work as an artist at Bharat Bhavan in Bhopal. It was at Bharat Bhavan, one of the country's most prestigious museums of tribal and contemporary Indian art, Jangarh Singh Shyam grew as an artist as his creative practice underwent sweeping changes. Mentored by Swaminathan, Shyam’s inheritance in traditional music and storytelling blossomed into a distinctive style of image-making, imparting his paintings a rare life force and energy. As his popularity grew, Shyam found himself amidst the changing contemporary Indian art scene that was becoming more global in its outlook and more inclusive in its representation. It was for the first time we saw that the historically marginalized gained momentum and ground in the narrative space of the country. The artist gained major recognition when he participated in the Magiciens de la terre exhibition held at Centre Pompidou, Paris in 1989, and in Jyotindra Jain’s Other Masters exhibition at the Crafts Museum, New Delhi in 1998. The artist was also commissioned to paint the interiors of Vidhan Bhavan, the Legislative Assembly of Madhya Pradesh, and the dome of Bharat Bhavan. Posthumously, his painting Landscape with Spider (1988) was sold for a record price of $31,250 at Sotheby's New York auction in 2010, marking a first for an adivasi (vernacular) artist. Gleaning from the vast repertoire of tales, ballads, folklore, and fantasies of the Pardhan-Gond community, Shyam fabricated them into his visual narrative, thus bringing the ancient myths and stories to life. As he sought inspiration from the past and the present, the rural and the urban, the real and the imagined, a new visual vocabulary emerged that gave concrete shapes and forms to his community’s myths, legends, fables, tattoos, and music, which were, till then, hidden from the ‘mainstream’ society. It marked a paradigmatic shift in contemporary Indian art when the artist started using canvases, acrylic, oil and pen instead of the traditional charcoal, coloured soil, plant sap, leaves, cow dung, limestone powder, etc. This effective adaptation of the new media, tools and newer themes resulted in unforeseen results and inspired a generation of Gond artists to learn from Jangarh Singh Shyam. Jangarh Kalam, or Jangarh Singh Shyam’s personal rendition of the Pardhan Gond art instilled a creative energy that surged with the emergence of individuality and personal style in a traditionally collective society where artmaking was a group endeavour. In Jangarh Kalam, the images are transcribed from oral narratives that take shape as birds, flying snakes, or growing trees, floating to the rhythm of the music in diverse innovative variations. From enchanted woodlands to aero planes, indigenous deities, childhood stories, and animals, Shyam used colourful dots and peripheral contours of radiating lines to create these unique shapes and patterns reverberating with movement, fluidity, and power. In a tragic turn of events, the visionary artist took his own life at the age of 39 while he was on an international art residency at the Mithila Museum, Japan. While the artist died young, he inspired a legion of young men and women from his community who followed him and were mentored by him in the style he created incidentally. Today, many well-known Gond artists including Shyam’s wife and children and those who apprenticed under him continue to work in the Jangarh Kalam tradition keeping it alive and vibrant. Jangarh Singh Shyam, Paysage avec Araignée (Landscape with Spider), 1988 Image courtesy: Sotheby’s Jangarh Singh Shyam, The Seprpent Shesha Holding The Earth on his Hood, ca. late 1980s Collection and image courtesy: Museum of Art & Photography (MAP), Bangalore Jangarh Singh Shyam, Ped, Chidiya Aur Hawaijahaz (Trees, Birds, and an Airplane), 1996 Collection and image courtesy: Museum of Art & Photography (MAP), Bangalore Jangarh Singh Shyam, Phulwari Devi, early 1990s Collection and image courtesy: Museum of Art & Photography (MAP), Bangalore Jangarh Singh Shyam, Untitled, 1989 Collection: FONDATION CARTIER PARIS

RtistiQ

10 Jun 2022

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In the one-century life span of abstract art, female abstract painters are not hard to find, to name just a few: Sonia Delaunay (a multidisciplinary artist who achieved success during her lifetime only due to her commercial work, whereas her husband Robert Delaunay was regarded as a serious artist), Lee Krasner (whose contribution to art history has been for a long time overshadowed by her marriage to the abstract expressionist painter Jackson Pollock), Elaine de Kooning (an accomplished artist, member of the Eighth Street Club in New York City she was mostly known as Mrs. William de Kooning, she dedicated most of her life to supporting her husband’s career), Barbara Hepworth (less recognized than her contemporary and fellow British artist Henry Moore), Françoise Gilot (the French-American artist who never managed to escape the “Picasso’s lover” title) and the list can go on. These talented artists have been less visible, not to say “invisible”, to an art establishment blinded by gender bias. Despite a recent shift in mentality and contemporary culture, female artists are still seen as “less” than their male counterparts. Female abstract painters and women artists, in general, deserve more awareness. Christel Haag is a commercially successful German abstract artist. Her work is very process-orientated. She plays with various contrasting effects on canvas by using an entire arsenal of mark-making in her process. The evolution of her paintings does not follow a predetermined concept. Rather, her works gradually evolve through an intuitive and dynamic process. Despite the gestural process, a coherent painting emerges. Haag finds her inspiration in nature. She translates into marvellous color combinations the beauty and harmony that surrender her. Lot 34 Are we Flying In her own words: "In 2002 I made the decision to give up my career in Public Relations at a university, follow my heart and retrain as an artist. Once I made the decision to open the door to my creative urges, I felt that I had to go back to the beginning to discover who I really am as an artist. It was as if I granted myself the right to be free again, free without boundaries or pre-existing ideas of who I should be as an artist. Over the years my experiences led to my colorful, abstract, dynamic, and gestural style of painting. I always try to go to my creative limits while experimenting and giving my artworks my individual expression. Nature inspires me. The marvellous impressions I take home from my travels. Also, I express in my paintings the mood and feeling of a particular moment in time. It is first and foremost the joy of painting, of colors, of the creative process itself, and of the energy of being that drives my artistic creation." 5 vivid paintings from Haag’s portfolio have been minted as unique NFT digital editions and are sold at auction in our coming event SHE IS UNSTOPPABLE. Browse her art and choose your favourite. Don’t forget to register for the auction. Bidding starts May 14th.

RtistiQ

01 May 2022

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Below, we’ve assembled a list of the top 10 most influential female artists alive today. These women have left an incredible mark on the art world, and while their importance to the current scene is important, their impact will no doubt be felt for generations to come. Cindy Sherman Courtesy of Cindy Sherman Cindy Sherman made a name for herself through intricate self-portrait photography. Taking advantage of her skills as a costume maker and make-up artist, Sherman’s early work began exploring identity by using the artist’s body as the canvas. Her work frequently explores the place of women in the media and cultural landscape. Untitled Film Stills (1977-80) saw Sherman dressing as B-movie characters. In Centerfolds (1981), she upended the expectations of the male gaze, presenting complicated female characters where one might expect titillating, sexualized images. Her latest work speaks directly to the tools we use to communicate with each other. She now takes self-portraits using her phone, manipulating the images using multiple “face tuning” apps. The results are provocative and often disturbing. Tracey Emin Courtesy of Tracey Ermin Tracey Emin is no stranger to controversy. Her work is striking and confrontational, as well as deeply autobiographical. Her work reaches across an enormous array of mediums, from drawing, painting, and sculpture to neon text, film, photography, and sewn appliqué. Some of her installations made major waves in the art world. She premiered Everyone I Have Ever Slept With 1963–1995 (1997) at the Royal Academy of London. The work is a tent that visitors can enter into, and on the walls are appliquéd the names of, you guessed it, everyone the artist had slept with. It serves as a kind of haunted space, especially in the greater context of Ermin’s work that challenges the role that sex plays in the perception of women. She has gone on to be a professor at the Royal Academy of Arts and a prolific, widely influential artist of our time. Yayoi Kusama Courtesy of Wikimedia Yayoi Kusama is an artist working in sculpture and installation, as well as many other mediums. She became a fixture of the 1960’s counterculture, organizing happenings where participants were nude and covered in painted polka dots. Beginning in 1963, Kusama began creating her Infinity Rooms, a series of installations in which the walls of the rooms were covered in mirrors with colorful balls of light hanging at different lengths from the ceiling. The effect is the perception that the room of lights goes on forever. Her public installation work continues to appear across the world, including Brazil, Japan, Singapore, and beyond. Marina Abramović Courtesy of Wikimedia Marina Abramović is likely the most important and influential performance artist of our time. Her newsworthy works have captured the attention of the artworld for decades, and she isn’t done yet. The Artist is Present (2010) saw Abramović sitting at a table at New York City’s Museum of Modern Art. Visitors were invited to sit across the table from Abramović. This went on to become the largest performance art exhibit in MoMA’s history. On top of her amazing career as an artist, she is also a philanthropist and a supporter of young artists through her Marina Abramović Institute. Judy Chicago Courtesy of the Brooklyn Museum Judy Chicago is a major name in the worlds of both art and feminism, with her career striking a path that unites them. Many of her unique techniques are borrowed from boat building, auto body repair, and similar disciplines — what the artist calls the “macho arts.” The Dinner Party (1979) is likely Chicago’s most important work to date. It shows a dinner table set in a triangle, with 39 places set for female heroes, both real and mythical. The dinner plates are all hand-painted homages to the woman who is seated there. The sprawling ambition and bold statement continue to fascinate and inspire people today. Shirin Neshat Courtesy of Wikimedia Shirin Neshat is an Iranian-born New York artist primarily working in photography, film, and video. Her work often focuses on the dichotomies, both socially constructed and eternal, that make up our world: Isamic and Western culture, male and female, public and private. Her film Women Without Men (2009) received the Silver Lion award at the Venice Film Festival. The film, based on the novel by Shahrnush Parsipur, depicts events during the British and American backed coup in Iran that overthrew their democratic government and installed the Shah as monarch in 1953. Vija Celmins Courtesy of SFMoMA Vija Celmins works in paintings and drawings, creating photorealistic pieces. She is celebrated today as one of the leaders in realism, though she pushes her work into almost abstract places by focusing on visual rhythm and the exclusive use of gray tones. Her early breakthrough saw her making exquisite replications of photojournalism, making masterful use of grayscale in her painting. These works highlighted how much of our world view at the time was dictated by black-and-white photographs and disseminated through the media. She has gone on to focus on sweeping visions of natural spaces and events. Much of her current work shows us starry skies, ocean waves, and other large and small scale views of the natural world. Bharti Kher Courtesy of Wikimedia Bharti Kher is an artist working sculpture, installation, and painting. Her work often speaks to realities of inhabiting a body as well as issues around culture. Perhaps her most popular work is The Skin Speaks a Language Not Its Own (2006). The piece depicts a full-size female elephant collapsed on the ground, covered in the traditional bindi — a mark made on the forehead among followers of Hinduism representing the third eye. By bringing together these two images of India, Kher creates a vivid embodiment of the country. Marlene Dumas Courtesy of Wikimedia Marlene Dumas is an artist working in the Netherlands who is known as one of the first three living women to sell an artwork above the $1 million mark. The notoriety is well deserved. Her work is always in ceaseless exploration of human moods and social conditions. Her paintings often eschew direct representation and instead make suggestions of emotional states. Her work often distorts faces and specifics, driving down into the heart of her subject. She continues to be a major name in the art world today. Dumas’s prolific career continues to challenge viewers and evoke what it means to be alive. Julie Mehretu Courtesy of Forbes Julie Mehretu works in painting, drawing, and printmaking, often focusing on the socio-economic realities of our time. Her meticulous work is precise but ultimately deeply felt, mapping out the psychology of people in the urban environment. Her pieces often take on an enormous scale, often two stories tall. Mehretu describes her mark-making process as one that charts the movements and interactions of people in their own societal context. While her compositions can be overwhelming and grand, when viewers take the time to look at it in detail, they often find surprising narratives emerge.

RtistiQ

19 Apr 2022

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