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7 Best Known Still Life painting
The still life painting has remained one of the most popular exercises for artists. It can be extremely helpful in developing young talent, as well as keeping old masters sharp.
But despite its use as a tool for teaching and practice, some have created still lifes that have gone on to take their place in the pantheon of great paintings.
The genre formed in the late 16th century, drawing on practices in ancient Greece and the Middle Ages. The basic formula is for the artist to arrange inanimate objects and paint from direct observation.
It is so basic, so fundamental, and yet it remains a popular genre. Once we begin to look through some of the best known still lifes in art history, we can begin to see why. With multiple types of still lifes that exist today, this genre gives us new insight into the textures and colors that fill our everyday lives. It is, in some ways, a celebration of human vision and a call to engage with your surroundings more fully.
Vase with Fifteen Sunflowers (1888) by Vincent Van Gogh
Vincent Van Gogh’s sunflower paintings are some of the most beloved of his entire oeuvre. Made up of two distinct series of paintings (the first painted in Paris and the second in Arles), this work from the second series is perhaps the most popular of all. The burning yellow is defined with judicious use of blue, and the bodies of the sunflowers seem alive.
Van Gogh painted them for his friend Paul Gauguin. And the joy of that friendship can be felt in the canvas itself.
Still Life with Fruit (1605-1610) by Caravaggio
Caravaggio delivers us a sumptuous feast for the eyes. Made up of melons and an assortment of delicious fruit, these colorful bodies emerge from the dark in a small shaft of light — characteristic of the artist.
While many commentators have speculated on the Renaissance-era symbolism of the fruit, we don’t really need to understand it to appreciate the painting. His ability to capture the fruit in such spectacular detail is more than enough.
Violin and Candlestick (1910) by Georges Braque
Braque is well known as one of the founders of Cubism, and here he applies that style to the still life. It’s an interesting combination: taking the latest breakthrough in visual arts and applying it to one of the most classic genres in painting.
The objects in the still life are all given multiple points of view shown on the same surface, an impossibility for the naked eye but not the painter. Note his muted use of color as well.
Vase of Flowers (1660) by Jan Davidsz. de Heem
De Heem, a major name in both Dutch and Flemish Baroque painting, gives us one of the greatest depictions of flowers in all of art history. Here, the colors absolutely delight us as they come out of the dark background — note the similarity in lighting to his contemporary Caravaggio above.
This painting shows what a true master can do with a still life. Note how all the fine details are expertly navigated, the wealth of visual information completely absorbed and rendered.
Still Life with Skull (1898) by Paul Cezanne
Cezanne is well known for his use of color, and he uses those trademark techniques to great effect in this still life. Painted late in his career, this shows a genius who has learned how to give us only what we need, no more and no less. There is no excess and no lack.
The composition itself is striking. The skull is set off by ripe fruit, fruit we expect will all too soon begin to rot. This memento mori not only brings us in confrontation with our own mortality, it also reminds us that while we are here, there are things to be enjoyed, like a ripe pear.
The Ray (1728) by Jean-Baptiste-Simeon Chardin
This work does what a still life rarely can — bring a sense of horror. Of course, it in part does this by cheating the rules a bit. Notice the cat at the left side of the painting! Rule bending aside, this is a great work by Chardin who excelled in still lifes for much of his career.
The strange objects and the hissing animal come together to give us a sense that all is not right. While the still life genre makes it difficult to tell much of a story, Chardin gives us the emotion of a narrative all the same.
What makes these still life paintings so special?
There are a few things that make these still life paintings so special. First, they are all masterpieces of technique. The artists who created these paintings were masters of their craft, and their skill is evident in the way they rendered the objects in their paintings.
Second, these paintings are all visually appealing. They are beautifully composed, and the colors and textures are rich and vibrant.
Third, these paintings have something to say. They are not just about depicting objects; they are also about exploring themes such as beauty, life, death, and the nature of reality.
Still life paintings are a wonderful way to experience the beauty and complexity of the world around us. If you have never taken the time to appreciate a still life painting, I encourage you to do so. You may be surprised at what you find.
Still life Painting on RtistiQ
Still life paintings are a beautiful and timeless art form that captures the beauty of everyday objects. The RtistiQ still life art collection features a wide range of still life paintings from artists all over the world, in a variety of styles, from traditional to contemporary.
Whether you are looking for a new piece of art for your home or office, or you are simply interested in collecting some beautiful still life paintings, the RtistiQ still life art collection is a great place to start.
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7 of the Scariest Art Paintings
With October arriving, we are all getting into the Halloween spirit. And fine art painting has some of the spookiest and most horrifying images to bring you all the terror you could imagine. Artists have often contemplated the darker side of existence, with their efforts rendering up some ghoulish results. Below, we’ll look through seven of the most scary artworks. These are horror paintings that scare and repulse. Don’t say you weren’t warned. Garden of Earthly Delights (c.1500 to 1505) by Hieronymus Bosch Bosch brings horror in his own special way — through surreal and religious imagery. That ability to make the bizarre and beautiful twisted into the scary has made him a major influence up to our present day. In this triptych, by far his most famous work now, the far right panel depicts terrible tortures and debauchery, a vision that you won’t be able to shake off for quite some time. That it all develops out of the tranquility and purity of the far left panel gives this a narrative thrust that makes it all the scarier. Three Studies for Figures at the Base of a Crucifixion (1944) by Francis Bacon You could pick just about any Francis Bacon painting and it would fit on this list. But here, we go with a triptych beloved for its monsters. The work ushered in the artist’s mature period, and represents the full power of Bacon. While created to be used, as the title suggests, at the base of a crucifixion, the monsters are based off of the Furies. This remains a masterpiece of horror, yet the final work of a crucifix with these at the base never came to be. But Bacon painted plenty more scary scenes. The Nightmare (1781) by Henry Fuseli Fuseli made all of our nightmares come true with this Romantic classic. While the painting was controversial at the time for its sexual tones, later critics would admire the profound understanding of human psychology and terror. The face of the incubus really is the stuff of nightmares, and the horse hiding just out of the light will keep you from sleeping. It’s a painting that actually lives up to the broad and massive topic that is its namesake. For this reason, it deserves its place on any list of scary artworks. Saturn Devouring His Son (c. 1891-1823) by Francisco Goya Goya dived into the world of Greek myth to create this magnificently brutal painting. The gore of the half-eaten body and the look of crazed madness in the eyes of Saturn, not to mention the black background (something Goya was doing a lot of at the time), all work together to create chills in any viewer. While many artists have painted this scene from mythology, no one has captured the absolute horror of it — though Peter Paul Rubens got pretty close. The Face of War (1940) by Salvador Da Dalí painted this artwork to refer, in general, to war and the horrors it causes. But the artist wondered often if it actually was a premonition — he painted it in the interim between the Spanish Civil War and the Second World War. Set in a typical Dalí-style desert, the face of anguish has yet more faces of anguish for its eyes and mouth. And in those smaller faces are still smaller faces. It implies that the process of pain and suffering caused by war goes on forever. A truly terrifying thought. Dante and Virgil (1850) by William-Adolphe Bouguereau Bouguereau’s painting comes from the Divine Comedy by Dante. Here, Dante and Virgil are travelling through hell, and they come upon two of the damned trapped in combat. Gianni Schicchi, a fraud in life, bites into the throat of heretical alchemist Capocchio. The exquisite color, chiaroscuro lighting, and palpable mayhem make this a true horror painting masterpiece. The Great Red Dragon and the Beast from the Sea (1805) by William Blake This work appears in a series of Blake’s paintings covering the Great Red Dragon. All of these watercolors were meant to be used as Biblical illustrations, with Blake taking his subject matter from the Book of Revelation. Blake’s visionary style and ability to confront the darkness make all of the works in this series captivating as well as horrifying. Collect the latest Halloween collection handpicked by our curators while it is available. Art 1: Vivarium II, Oil on Linen, Adrian Narvaez Caicedo Art 2: Verona II, Oil on canvas, Luciana Livi
The Many Mona Lisas: The Best Replicas and Reinterpretations of the World’s Most Famous Painting
The Mona Lisa is one of the few works of art that everyone knows by name. It’s a celebrity in its own right, a legend, a cultural touchstone that connects us across the centuries. But just as important as the original is, the replicas and their reinterpretations have become a phenomenon all their own. These artworks have brought levity, political statements, and all kinds of artistic reimaginings to this important piece of work. Famous Let’s look through the history of the painting itself, the rise of replicas, and then find out where you can get some of the best and recent inspirations of the Mona Lisa today at RtistiQ. History of the Mona Lisa Painted somewhere around 1503 to 1506 CE by High Renaissance painter Leonardo da Vinci, the Mona Lisa is a portrait of Italian noblewoman Lisa del Giocondo. Of the many works attributed to da Vinci, it is one of the few that has never been in doubt. And while we are confident that the Mona Lisa is a real da Vinci, there is evidence that other copies were made by the master. Sketches of the painting include columns on either side of Lisa, but the canvas of the original has never been trimmed, and analysis of the underpainting reveals there were never any columns on the original. It was long called the Palace of Fontainebleau its home before moving to the Palace of Versailles by Louis XIV. It was then moved to the Louvre after the French Revolution before taking a brief detour in the bedroom of none other than Napoleon. At the time of writing, it can still be found at the Louvre. Why the Mona Lisa Is Popular Courtesy of Wikimedia While it was appreciated through the centuries since its creation, it wasn’t until the 20th century that the painting really became popular. It all began with its theft from the Louvre on August 21st, 1911. The popular French poet Guillaume Apollinaire was arrested for the crime, and he accused the great Pablo Picasso, who had to be brought in for questioning by the police. But it turned out to be Louvre employee Vincenzo Peruggia, an Italian nationalist who believed the painting should belong to Italy. The scandal led to the Mona Lisa becoming the world’s most famous painting, thanks to the enormous amount of media coverage it received. Mona Lisa Replicas There’s no wonder, then, that so many great artists have tried their hand at creating a replica of the famous painting all their own. Even the great Raphael sketched the painting after seeing it. Some of the best artists of any given time have made replicas. A few examples give us an idea of how popular making these replicas has been. Eugène Bataille painted a version with the noblewoman smoking a pipe in 1883 (called Le Rire, or The Laugh, pictured above). Andy Warhol even took a shot in 1963, reproducing the image using a silkscreen process in 1963. More recently, Banksy has stenciled two versions of the Mona Lisa, one holding a rocket launcher (called Mona Lisa Mujaheddin) and one where she is mooning the viewer. The Mona Lisa Hekking One of the most famous (or infamous, depending on your point of view) is about to go on sale in Paris. Auction house Christie’s is set to put this notorious replica on sale, where it is expected to get around €300,000 (or $365,645). Called the Mona Lisa Hekking — named for the previous owner Raymond Hekking who purchased the work in the 1950’s and died in 1977 — the painting was claimed by the owner to be the true original, casting doubt on the veracity of the Mona Lisa for the first time in almost five centuries. RtistiQ’s Mona Lisa Inspirations RtistiQ’s collection contains a raw umber tone inspiration of the Mona Lisa by the artsit Rajasekharan Parameswaran. Painted in 2017, this Monalisa inspiration captures the famous painting in a striking palette, drained of color but pulsing with detail and character. It’s an entirely new view of the classic. The painting stands a bit larger than the original, presenting an impressive presence in any room. The artist, incidentally, holds two Guinness World Records. The first came in 2008 for the world’s largest easel painting, 56.5' tall and 31' wide and holds a 25’ by 50’ portrait of the communist leader EMS Namboodiripad (famously known as EMS). The second came in 2010 for the largest Burr puzzle. His work includes portraiture and art direction for film. And his Mona Lisa reveals a profound understanding of the portrait as a form for expression. You can buy this Mona Lisa in umber tone painting today on art.rtistiq.com and own an amazing piece in the long history of artists reimagining the world’s most famous painting. Author: Jonathan M Clark
History of Oil Paintings
Oil paintings have existed for centuries, from the cave paintings of Bamiyan along the Silk Road to American post-war art. There have been several studies related to the origins of oil as a painting medium with some believing that the technique was first developed in the 11th century, while Giorgio Vasari has credited 15th century Flemish painter Jan van Eyck with the “invention” of oil paints in his famous treatise The Lives of the Artists. However, a discovery in 2008 led to the evidence that oil painting existed as early as 650 CE (7th century CE), when anonymous artists used oil that may have been extracted from walnuts or poppies to decorate the caves in Bamiyan, Afghanistan. The practice of easel painting with oil colours started post-1400 CE, to meet the changing requirements of Renaissance artists who were looking for some other medium than pure egg-yolk tempera. The depth and richness of colour in oil paint is unmatched and it’s slow drying time allows artists to manipulate the medium over an extended period giving the artists the flexibility in blending and layering - thin glazes to dense thick impasto, as well as a wide range of tonal transitions and shades producing both opaque and transparent effects, as well as matt and gloss finishes. Considered a hallmark of the Old Masters, particularly during the Northern Renaissance, oil paint was one of the most preferred mediums for Leonardo da Vinci, Rembrandt, and iconic modernists like Vincent Van Gogh, Pablo Picasso, Wassily Kandinsky and many others. Although there are several remarkable oil paintings by famous artists to study this medium, we have narrowed down the exhaustive list to 10 iconic works. The Arnolfini Portrait by Jan van Eyck Jan van Eyck’s Arnolfini Portrait (1434) remains one of the most visually intriguing paintings of all time. With all of its details and intricacies, the exquisitely rendered work appears to be a straightforward depiction of a wealthy merchant and his wife. However, on a closer look several mysteries emerge along with Van Eyck’s masterful technique which continue to enthrall viewers till today! (Image courtesy: Wikimedia Commons) Mona Lisa by Leonardo da Vinci Mona Lisa (c. 1503-1519), the painting of a mysterious woman with an enigmatic smile, remains one of the most famous paintings in the world. The sitter is believed to be Lisa Gherardini, the wife of Florence merchant Francesco del Giocondo. The painting is known to be the earliest Italian portrait to focus so closely on the sitter in a half-length portrait. (Image courtesy: Wikimedia Commons) The Rape of Europa by Titian The Rape of Europa (c. 1559-1562), tells the mythological story of the abduction of Europa by the king of gods, Jupiter, disguised as a white bull. An example of Titian’s late style, the painting’s refined poignancy lies in his use of colour, vividity, luminous tints, brushwork and subtlety of tone. The oil painting continues to have a profound influence on Western art. (Image courtesy: Wikimedia Commons) Girl with a Pearl Earring by Johannes Vermeer Sometimes nicknamed the “Mona Lisa of the North”, Girl With a Pearl Earring (1665), is brilliant in its simplicity. The girl, wearing a blue and gold turban and an oversized pearl earring is the entire focus with only a dark backdrop behind her. Interestingly, this masterpiece isn't even a portrait, but a “tronie” - a Dutch word for a painting of an imaginary figure with exaggerated features. (Image courtesy: Wikimedia Commons) Le déjeuner sur l'herbe (or The Luncheon on the Grass) by Édouard Manet Manet's masterpiece, Le Déjeuner sur l'herbe (1863), featuring a nude woman picnicking in the company of fully-clothed men, draws inspiration from classical paintings of female nudes. Up until The Luncheon on the Grass, female nudes were represented figures from mythology or allegory. By placing an anonymous unclothed woman in a contemporary everyday setting, Manet bridged the gap between the Realist and Impressionist art movements with its modern approach to style and subject matter. (Image courtesy: Wikimedia Commons) The Starry Night by Vincent Van Gogh Few artists are as renowned for their use of color as Vincent van Gogh. His The Starry Night (1889) full of striking blues and yellows, and the dreamy, swirling atmosphere have intrigued art lovers for decades. The painting was created late into the Dutch painter's short career and depicts the view from his window in the asylum at Saint-Rémy-de-Provence. (Image courtesy: Van Gogh Gallery) The Old Guitarist by Pablo Picasso Painted at the height of Picasso’s Blue Period, The Old Guitarist (1903) depicts a feeble blind old man hugging his guitar. Picasso painted it after his close friend and Spanish poet Carles Casagemas commited suicide. The melancholic state was used by design to haunt onlookers in a way that would make them question why the working class and high-class individuals continued to prosper while those that needed the most help continued to languish in poverty. (Image courtesy: Wikimedia Commons) The Persistence of Memory by Salvador Dali Salvador Dali’s most iconic work, The Persistence of Memory (1931) was painted at the height of the Surrealist art movement. It displays an outlandish subject matter evocative of a dreamscape, which is why it is believed that Dalí was probably hallucinating when he painted the piece. Dalí would attempt to enter a state of self-induced psychotic hallucinations to create what he called “hand-painted dream photographs.” (Image courtesy: Museum of Modern Art, New York) The Kiss by Gustav Klimt Austrian Symbolist painter Gustav Klimt was famous for his dazzling use of gold to give a shimmering effect to his paintings and his masterpiece The Kiss (1907-1908) is no different. Made in the Vienna Secession art movement, this intimate portrait captures a tender moment between a pair of lovers. (Image courtesy: Google Art Project) Nighthawks by Edward Hopper The highly evocative American masterpiece Nighthawks (1942) is a stark depiction of loneliness, alienation and the breakdown of city life, epitomizing somber emotions of a period in history riddled with world wars and the great depression. The oil painting is said to have influenced the look and feel of many Hollywood films including Ridley Scott’s futuristic neo-noir Blade Runner (1982). (Image courtesy: Wikimedia Commons) Oil paintings are one of the best investments you can make for your home or business. Discover oil paintings for sale on RtistiQ, A Virtual Art Marketplace For Art Lovers And Artists.
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How to Tell a Lithograph from a Painting: A Comprehensive Guide
Art enthusiasts and collectors often come across various forms of visual art, including lithographs and paintings. While both mediums have their own unique appeal, it is important to understand the differences between them. This article aims to provide a comprehensive guide on how to differentiate between a lithograph and a painting, considering their techniques, materials, and characteristics. By gaining insights into these key factors, you'll be equipped with the knowledge to identify and appreciate these art forms more effectively. Understanding Lithographs A lithograph is a type of printmaking technique that involves the process of drawing or painting on a stone or metal plate. It is based on the principle of oil and water repelling each other. The artist creates an image on the stone using specialized tools, and then applies ink to the stone's surface. The ink adheres to the image while being repelled by the wet areas, and a piece of paper is pressed onto the plate to transfer the image. A more detailed article on Lithographs can be referenced in the article What Is A Lithograph. Analyzing Painting Techniques Painting, on the other hand, involves the application of pigments onto a surface, typically canvas, using various tools like brushes, knives, or even fingers. Paintings can be created with different types of paints, such as oil, acrylic, watercolor, or gouache. Artists have greater freedom to manipulate the paint, creating textures, layering colors, and incorporating various brushstrokes, thereby resulting in a unique and original piece of artwork. There are a few key differences between lithographs and paintings that can help you tell them apart. Paper: Lithographs are typically printed on high-quality paper, such as rag paper or watercolor paper. Paintings, on the other hand, can be painted on any type of paper, including newsprint, canvas, or wood. Ink: Lithographs are printed with ink that is specifically designed for lithography. This ink is water-based and has a high viscosity, which means that it is thick and does not flow easily. Paintings, on the other hand, can be painted with any type of paint, including oil paint, acrylic paint, or watercolor paint. Printing process: Lithographs are printed using a process called intaglio printing. This process involves pressing the plate against the paper in a very controlled manner. Paintings, on the other hand, are painted by hand, and there is no such control over the application of paint. Texture: Lithographs typically have a smooth, even texture. Paintings, on the other hand, can have a variety of textures, depending on the type of paint and brushstrokes used. Signature: Lithographs are typically signed by the artist. Paintings, on the other hand, are not always signed. Examining the Surface One of the key ways to differentiate between a lithograph and a painting is by examining the surface closely. Lithographs typically have a flat, smooth texture with even ink distribution. Due to the nature of the printing process, the lines and colors in lithographs tend to be more uniform and consistent. In contrast, paintings often exhibit varied textures, visible brushstrokes, and an overall three-dimensional quality. The presence of texture is a strong indicator of an original painting. Inspecting the Signature Another important aspect to consider is the presence of an artist's signature. In most cases, lithographs are signed in pencil, usually at the bottom margin, while paintings are typically signed in paint directly on the artwork itself. Examining the signature can provide valuable insights into the authenticity and origin of the piece. Additionally, lithographs may have edition numbers or impressions indicating the total number of prints made from the original plate. Assessing the Color Saturation Color saturation is another distinguishing factor between lithographs and paintings. Lithographs tend to have more consistent color saturation throughout the print, with an absence of subtle variations that are commonly seen in paintings. Paintings, on the other hand, often exhibit subtle color shifts, gradients, and nuanced tonal variations, showcasing the artist's hand in mixing and applying the pigments. Considering the Frame and Glass The framing and glass used can also provide clues about whether you're looking at a lithograph or a painting. Paintings are usually framed with a mat and glass, which helps protect the artwork and enhance its presentation. In contrast, lithographs are typically framed without glass, as the glass can cause unwanted reflections and interfere with viewing the image. Moreover, lithographs are often mounted directly on the backing board to prevent any damage caused by the pressure of the glass. Conclusion Distinguishing between a lithograph and a painting requires a keen eye and understanding of the key differences in technique, materials, and characteristics. By examining the surface, signature, color saturation, and framing, you can confidently identify whether you are looking at a painting or a Lithograph.
Singapore Art and Artists: Exploring the Rich Cultural Tapestry and Creative Expression
Singapore is a vibrant city-state that has a thriving arts and culture scene. Over the years, Singapore has seen the emergence of numerous talented artists who have made significant contributions to the local and international art scene. In recent years, the art scene in Singapore has experienced significant growth and development, further solidifying its position as a vibrant cultural hub. Here's a glimpse into Singapore's art and artists: Art Movements in Singapore: Compared to European and other Asian counterparts, Art is relatively young in Singapore and driven mainly by the many cultures and traditions that make up Singapore society. What makes Singaporean Art more distinct is the merging of Chinese, Malay and European Art forms with a blend of localised cultural heritage, indigenous beliefs and popular practices in Singapore. Here is an overview of the key periods and milestones in the history of visual art in Singapore: Early Art Influences (Pre-19th Century): Before the 19th century, Singapore was primarily a trading port, and the cultures of the Malay Archipelago, China, India, and the West predominantly influenced art. Traditional art forms, such as batik, sculpture, and calligraphy, were practised by local artisans. Colonial Influence (19th-early 20th century): The arrival of British colonial rule in the 19th century brought Western influences to Singapore. European artists and art teachers introduced academic art practices, such as oil painting and portraiture, to local students. Notable artists during this period include Raffles Institution founder Sir Thomas Stamford Raffles and his wife, Sophia Raffles. Nanyang Style and Cultural Identity (mid-20th century): In the 1950s, a significant art movement known as the Nanyang Style emerged in Singapore. Led by four master artists of the time, Liu Kang, Chen Wen Hsi, Georgette Chen and Cheong Soo Pieng, this movement combined Chinese ink painting techniques with Western art styles, creating a distinctive fusion. The Nanyang Style was a form of cultural expression exploring the identity of the Southeast Asian region and its people. Modern Art Society (mid-20th century): In the 1960s, the Modern Art Society was established, advocating for modern art practices and promoting local artists. This period marked a shift towards experimentation and exploring abstract and conceptual art forms. Artists like Lim Yew Kuan and Anthony Poon were instrumental in driving the development of modern art in Singapore. Contemporary Art and Global Recognition (late 20th century-present): In the late 20th century, Singapore's art scene continued to evolve and embrace contemporary art practices. The opening of institutions like the Singapore Art Museum (SAM) in 1996 and the National Gallery Singapore in 2015 provided platforms for local and international contemporary artists. Singapore's participation in international art events, such as the Venice Biennale and the Singapore Biennale, further propelled its global recognition. Most Notable Artists of Singapore Singapore has been home to many prominent Artists continuously gaining International reputations. Here are some of the most notable and significant artists from the city-state of Singapore Georgette Chen (1906-1993) was a Chinese-born Singaporean painter known for her realistic portraits and landscapes. She is considered one of the pioneers of modern art in Singapore and a key figure of the "Nanyang School" of Art. She had spent much of her early life in China, France and New York, before making Singapore her home in the year 1954 to spend later years of her life. GEORGETTE CHEN, BOATS AND SHOPHOUSES , (credit: Sotheby's) Chen Wen Hsi (1906-1991) was a Chinese-born Singaporean painter known for his lyrical landscapes and portraits. Similar to other prominent artists Chen Wen Hsi, had spent a good part of his life in China before making Singapore his permanent home. He along with four other prominent artists founded the Nanyang Style of Painting in the year 1953, creating a watershed moment for the Singapore Art scene. In 1964 he was awarded with the "Public Service Star" award. One of his paintings "Two Gibbons Amidst Vines", addorns the back of every $50 note of Singapore. The gibbons are there not only to beautify the note but they also signify a great artist who contributed his entire whole life to the art world. Cheong Soo Pieng (1917-1983) was another prominent Chinese-born Singaporean painter known for his abstract paintings. He along with Chen Wen Hsi, Georgette Chen and Liu Kang founded the Nanyang style of art, one of the most important movements of Singapore's cultural History. After migrating to Singapore in 1946, he took up Art teaching at the Nanyang Academy of Fine Arts, and began his fervent amalgamation of Western and Chinese pictorial styles. Best known for his stylized depictions of Malay and Balinese women, he worked in a unique aesthetic that blended Hindu, Chinese, and Modernist European influences. Lim Tze Peng (born 1921) is a Singaporean painter known for his Chinese ink paintings. He is considered one of the most influential artists of his generation in Singapore. His masterpieces have been exhibited in many local and international exhibitions and prominent art centers in Singapore, including the Singapore Art Museum and Nanyang Academy of Fine Arts.. Hundred and two years old Mr Lim currently is the oldest living Artist of Singapore and was awarded the Cultural Medallion in 2003 for his vast contributions to the Art and Culture of the Country. LIM TZE PENG (courtesy South China Morning Post) Amanda Heng (born 1951): Amanda Heng is a contemporary artist known for performing art and installations. She often addresses issues of gender, identity, and social norms in her works and has exhibited her art internationally. She rose to pominance in the 1990's and is considered a pioneer of Performance Arts in Singapore. She is among the first Singaporean Artists to win the distinguished Benesse Prize and also awarded Cultural Medallion for Visual Arts in 2010. Among the many firsts that she brought to the Art scene in Singapore, includes the founding of the Artists Village in 1988 and then later in 1999 she formed the Women in The Arts (WITA) Collective, the first Artists run collective in Singapore. Tan Swie Han (born 1943) Born in Indonesia Tan Swie Han is a Singaporean multi-disciplinary Artist who migrated from Indonesia in 1946 and is known for his Chinese calligraphy and Contemporary Art Sculptures. He is also distinguished as being the most expensive artist in Singapore after he sold his painting "Moon is Orbed" for S$3.7M in the year 2012 and later again broke his own record by selling his ink on rice-paper artwork "Bada Shanren" for S$4.4M. Tan Swie Han (courtesy Straits Times) Yeo Shih Yun (born 1976): Yeo Shih Yun is a Singaporean artist known for her abstract ink paintings. She combines traditional Chinese ink painting techniques with contemporary approaches, creating bold and expressive artworks reflecting her experiences and emotions. Jane Lee (born 1963): Jane Lee is a contemporary artist known for her experimental approach to painting. She often uses unconventional materials such as epoxy paint and polyurethane foam to create textured and multi-dimensional artworks that challenge traditional notions of painting. Lee has toyed with the painting structure to create rich and tactile abstract works that frequently combine two into three dimensions. These are just a few examples of the many talented artists from Singapore who have significantly contributed to the local and international art scene. The art scene in Singapore continues to evolve and grow, with new artists constantly emerging and pushing the boundaries of artistic expression. Head on to our curated collection Inspired-By-Singapore with a selection of works created by Artists worldwide that could illustrate different sides of Singapore's cultural diversity. Part of this collection is a selection of paintings by the Australian artist Dean O'Callaghan painted and inspired by Singapore's cityscapes and exclusively available on RtistiQ.
Exploring the Intricate Techniques of Islamic Art
Islamic art is a rich and diverse artistic expression shaped by centuries of cultural and religious influences. From calligraphy to geometric patterns, this guide explores Islamic art's various styles and techniques and how they have evolved over time. What are Islamic Art styles and techniques in the contemporary art market? Islamic Art encompasses various styles and techniques, some of which have been adapted and incorporated into contemporary art markets. Here are some examples: Calligraphy: Islamic calligraphy is one of the most recognisable art forms in the world. It involves the writing of Quranic verses or other Islamic phrases in a decorative way. Contemporary artists have experimented with this style by incorporating it into paintings, sculptures, and installations. Calligraphy is also used to decorate buildings, textiles, and other objects, and is often combined with other forms of Islamic art, such as geometric patterns and floral motifs. The beauty of calligraphy lies in its ability to convey meaning and emotion through the careful arrangement of letters and words. Geometric patterns: Geometric patterns are common in Islamic Art and are often used to decorate mosques and other religious buildings. Contemporary artists have also incorporated these patterns into their work, creating modern pieces rooted in Islamic tradition. Some common geometric shapes used in Islamic art include circles, squares, triangles, and stars. These shapes are often combined to create intricate and mesmerizing patterns that are both beautiful and meaningful. Miniature painting: Miniature painting is a traditional Islamic art form that involves creating small, detailed paintings on paper or other surfaces. Contemporary artists have continued to use this technique, often with a modern twist, creating works that are both intricate and innovative. Metalwork: Islamic metalwork is known for its intricate designs and detailed craftsmanship. Contemporary artists have continued to use metalworking techniques to create modern pieces that are both functional and aesthetically pleasing. Ceramics: Islamic ceramics are often decorated with intricate patterns and designs. Contemporary artists have continued to use this technique, creating modern ceramics that are both beautiful and functional. Islamic art styles and techniques have a rich history that inspires contemporary artists worldwide. By blending traditional Islamic techniques with modern styles and materials, these artists are creating a new and exciting form of Art that celebrates both the past and present. The influence of nature and floral motifs Nature and floral motifs are also commonly found in Islamic art. These motifs are often used to symbolize growth, renewal, and the beauty of the natural world. Islamic artists often use stylized versions of flowers, leaves, and vines in their designs, incorporating them into geometric patterns or using them as standalone elements. The use of nature and floral motifs in Islamic art reflects the importance of nature in Islamic culture and the belief in the interconnectedness of all living things. Working across various disciplines, Mobeen Akhtar details her fondness for arabesque by using natural pigments extracted from minerals, rocks and earth as she aims to practise the traditional methods so they may be recognised and enjoyed today, as they were in the past. The role of color and symmetry in Islamic art Color and symmetry are two important elements in Islamic art. The use of vibrant colors, such as blues, greens, and reds, is common in Islamic art and is often used to create a sense of harmony and balance. Symmetry is also a key feature of Islamic art, with many designs featuring intricate geometric patterns that are perfectly balanced on both sides. This symmetry is believed to reflect the order and balance found in the natural world and is a reflection of the Islamic belief in the unity and harmony of all things. Is Islamic Art a religious-only Art? Islamic Art is not solely religious but strongly connects to the Islamic faith and culture. Islamic Art encompasses various artistic forms and styles, including calligraphy, geometric patterns, miniatures, textiles, ceramics, metalwork, and architecture. Multiple cultures and regions have influenced these art forms throughout Islamic history and have been used for religious and secular purposes. Islamic Art can be found in various settings, from religious spaces like mosques and madrasas to secular areas like homes, palaces, and public buildings. In addition, Islamic Art has been appreciated and collected by people of various faiths and cultures throughout history. While Islamic Art often incorporates Islamic themes and motifs, it is not limited to religious subjects. Many Islamic artists throughout history have drawn inspiration from the natural world, human figures, and other non-religious subjects. In contemporary Art, Islamic art styles and techniques continue to inspire artists of all backgrounds and beliefs. By blending traditional Islamic techniques with modern styles and materials, these artists are creating a new and exciting form of Art that celebrates both the past and present. Is Islamic Art only practised by Muslims? Islamic Art has its roots in the Islamic faith and culture, but it is not limited to only Muslims. Islamic Art encompasses various artistic forms and styles, including calligraphy, geometric patterns, miniatures, textiles, ceramics, metalwork, and architecture. Multiple cultures and regions have influenced these art forms throughout Islamic history, and they have been appreciated and practised by people of different faiths and backgrounds. Many non-Muslim artists and artisans have contributed to the development of Islamic Art throughout history. In medieval Spain, for instance, Christian and Jewish artists worked alongside Muslim artisans to create some of the most stunning examples of Islamic Art and architecture. And in modern times, many contemporary artists and designers from diverse backgrounds have been inspired by Islamic Art and its techniques, incorporating them into their works. Furthermore, many Islamic art forms have been used for religious and secular purposes. Islamic architecture, for example, is often used for public buildings and private homes, regardless of the faith or background of the owner. Similarly, Islamic calligraphy and geometric patterns are often used in various artistic and decorative contexts, from book design to interior decoration. Final Thoughts! In conclusion, Islamic art is a form of art that is enjoyed by people of all backgrounds, cultures, and faiths. Its beauty and significance can be appreciated by anyone with an appreciation for art and culture. Head on to a very special collection of Islamic Art from Artists across different part of the world on RtistiQ - Cultural festivity Art Collection