My abstract and experimental paintings focus primarily on emotions and feelings, provoked by different topics, and reflected in more and less abstract shapes and different, mostly bright, colour palettes. 

ALINA  KARMADANOVA

Women from different parts of the world are united by many things. And this series adds another coin to the piggy bank of our community of solidarity and mutuality help. This series would like to draw attention to the obstacles, fears and problems women face throughout their life, but also create a "safe space" for the female experience of life. A safe space of calmness, understanding and mutual support. You are not alone. Women around the world share your struggles, experiences and pain.

Acrylic on canvas

Painting

Body

Contemporary

Culture

Nude

Politics

Women

This painting is part of the series "Body Passion". This series symbolizes an important stage in the life of every woman. Feeling seen, but also accepting one's body and cultivating love for it. Look at the paintings from this series and remind yourself that you are valuable, of the normality of your body, that bodies come in every shape and form, that you are valuable and deserve to be happy no matter what size, and proportions.

Fantasy

Botany

Floral

Dreams are still a mystery to scientists and researchers. Some believe that we see flashes of unclaimed memories eluding us, others that the brain is looking for solutions to real problems. As an artist, I capture and sketch images and ideas that flash before me, by chance or not. This unusual and mysterious series will be a great addition to any interior. A distinctive feature is its bright colors. Perfect as an accent for an interior in fig tones or to support a range of bright interiors.

Abstract

Dream

Environment

This painting is part of a diptych together with "The Connection I". In her work "Visual Methodologies - the introduction to the Interpretation of Visual Materials", the British philosopher Gillian Rose said: “the connection between seeing and true knowing is broken". Similarly the perception of visual stimuli, their interpretation and our emotional response to them runs like a common thread through my art.

Pop Culture

This painting is part of a diptych together with "The Connection II". In her work "Visual Methodologies - the introduction to the Interpretation of Visual Materials", the British philosopher Gillian Rose said: “the connection between seeing and true knowing is broken". Similarly the perception of visual stimuli, their interpretation and our emotional response to them runs like a common thread through my art.

ALINA KARMADANOVA

ABOUT ME